![]() ![]() Helios figures prominently in several works of Greek mythology, poetry, and literature, in which he is often described as the son of the Titans Hyperion and Theia and brother of the goddesses Selene (the Moon) and Eos (the Dawn). The Roman Emperor Julian made Helios the central divinity of his short-lived revival of traditional Roman religious practices in the 4th century AD. Though Helios was a relatively minor deity in Classical Greece, his worship grew more prominent in late antiquity thanks to his identification with several major solar divinities of the Roman period, particularly Apollo and Sol. ![]() ![]() He was a guardian of oaths and also the god of sight. ![]() Helios is often depicted in art with a radiant crown and driving a horse-drawn chariot through the sky. His name is also Latinized as Helius, and he is often given the epithets Hyperion ("the one above") and Phaethon ("the shining"). In ancient Greek religion and mythology, Helios ( / ˈ h iː l i ə s, - ɒ s/ Ancient Greek: Ἥλιος pronounced, lit.'Sun' Homeric Greek: Ἠέλιος) is the god and personification of the Sun. Many including: Clymene, Clytie, Perse, Rhodos, and LeucotheaĪchelous, Acheron, Actis, Aeëtes, Aex, Aegiale, Aegle, Aetheria, Aethon, Aloeus, Astris, Augeas, Bisaltes, Candalus, Cercaphus, the Charites, Chrysus, Cheimon, Circe, Clymenus, the Corybantes, Cos, Dioxippe, Dirce, Eiar, Electryone, Helia, Hemera, Ichnaea, Lampetia, Lelex, Macareus, Mausolus, Merope, Ochimus, Pasiphaë, Perses, Phaethon, Phaethusa, Phasis, Phoebe, Phorbas, Phthinoporon, Sterope, Tenages, Theros, Thersanon and Triopas It was not the success that Volkswagen hoped for.Sun, chariot, horses, aureole, whip, heliotropium, globe, cornucopia, ripened fruit In 2002, Volkswagen took the interesting decision to name a car after Phaeton, in an attempt to compete in the luxury market dominated by its rivals Mercedes and BMW. It has inspired a number of composers, including Jean-Baptiste Lully, Camille Saint-Saëns, Paul Hindemith and Benjamin Britten. This myth of youthful courage and tragedy is referenced in four of Shakespeare’s dramas: Richard II, Romeo and Juliet, Two Gentlemen of Verona and Henry VI. And though greatly he failed, more greatly he dared.’ The epitaph of the fallen Phaeton reads: ‘Here Phaeton lies who in the sun god’s chariot fared. Revealing the influence of Michelangelo and Tintoretto, Rubens depicts Phaeton falling from the chariot, his hair on fire, mirroring a blazing earth, which terrifies the deities of the seasons portrayed on the left of the painting. In order to preserve her, Zeus struck the chariot with a thunderbolt. Mother Earth, in danger of burning up, appealed in desperation to Zeus for help. The horses, driven wild, scorched the earth, reducing Africa to a desert. Confused, they reared and Phaeton lost control. When Phaeton stepped into the chariot, the horses, used to the great weight of the sun god, thought it empty. But Phaeton was adamant in his demands and Helios finally granted him his wish. According to Ovid’s Metamorphoses, Helios tried to dissuade him, warning his son that not even Jupiter (Zeus), king of the gods, could control the fiercely hot chariot pulled by fire-breathing horses. Phaeton asked to drive the sun god’s chariot. In order to confirm that he really was his father, Helios promised by the river Styx to grant Phaeton any wish. Phaeton (or Phaethon, the ‘shining one’) was the son of a water nymph, Clymene, and, allegedly, the sun god Helios. ![]()
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